
| PUBLICATIONS | |
| 2008 | "Lynn Davis, El Silencio," Matador Magazine, Volume K, p. 72-78, Madrid |
| 2007 | Illumination. New York: Melcher Media, 2007 (monograph) |
| PhotoEspaña: A Dictionary of Photographers 1998-2007, La Fabrica | |
| PHE07 Guide & Catalogue, PhotoEspaña2007, 30 May- 22 July, 2007 | |
| “C’est neuf,” Elle Decoration, June 2007, p. 26 | |
| S. Urra “Of gaudy portraits and urban pirates,” El Pais, May 28. 2007, p. 8 | |
| “Photoespaña,” Frankfurter Allgemeine Zeitung (FAZ), 5 May, 2007, p. 47 | |
| 2006 | Arthur C. Danto “Lynn Davis, Kant, and the Starry Heavens,” Aperture, Spring 2006, p. 40-48 |
| “Lynn Davis: Photographs,” Aperture, 2006, p. 4-13 | |
| Gregory Cerio “Living Legacy,” House & Garden, October 2006, p. 118-125 | |
| “Discussion of Place/Location in Art,” Stadtzauber, 2006, p. 26 | |
| Article on “Ancient Persia,” BBC Persian.com, August 5, 2006, | |
| A.T. Mann “Garden Dreams,” Hudson River Art, 2006, p. 50-55 | |
| “Parting Shot,” Chronogram, October 2006, p. 148 | |
| Angela Madasani, Curator “Orientalismi, Forms of Orientalism,” Studio La Citta, November 26, 2005-February 11, 2006 | |
| 2005 | Water. New York: Edwynn Houk Gallery, 2005. |
| John Ashbery “Mapping the Unconscious,” The New York Times Book Review, March 6, 2005, p. 9 | |
| Ursula Blickle Stiftung “Landschaft als Metapher,” 2005, p. 30-33 | |
| Carrie Haddad (Selected by) “Lynn Davis,” Photography Quarterly, 2005, p.8 | |
| Lance Fung Snow Show New York: Thames & Hudson, 2005, p.37, 45, 93 | |
| Ice: Lynn Davis. Los Angeles: BükAmerica, Inc., 2005, throughout | |
| Persia. Paris: Galerie Karsten Greve, 2005 | |
| Albee, Edward Occupant, Foundation for Contemporary Arts: New York, 2005 | |
| 2004 | Tama Janowitz, “The Magic Handbag: A Christmas Tale,” Interview Magazine, December/January 2005, p. 161-162 |
| “Facing North: Lynn Davis on Permanent Frost, the Perfect Moment, and her Friendship with Robert Mappelthorpe,” DB Artmag [interview] | |
| American Monument. New York: Monacelli Press, 2004. (monograph) | |
| Michael E. Hoffman. Outside the Ordinary, A Tribute in Pictures. | |
| Aperture Foundation, pp. 79. | |
| Steven M. L. Aronson “Let There Be Light,” Architectural Digest, July, 2004, p. 119 | |
| 2003 | Art et Décoration. October 2003. |
| “Lynn Davis, aux sources du modernisme.” d’A, [interview] November/December 2003. | |
| François Baudot. Elle [français], 29 September 2003. | |
| “An Artist Portrayal of China.” Northeast Antique & Auction, March 2003, pp. 31. | |
| Caroline Cunningham. “The Questing Eye.” House & Garden, March 2003, pp. 74-7. | |
| Natural History Magazine, April 2003, cover, pp.47 & 51. | |
| Andrew Zipern. “Exposure.” PDN, April 2003, pp 113-14. | |
| Catalogue: United States Embassy Hanoi. Art in Embassies Program, May 2003. | |
| “Where Are You Contest.” Condé Nast Traveler, June 2003, p. 118. | |
| Art on Paper, May/June 2003, vol. 7, pp. 6. | |
| “Shining Beacon.” Interview Magazine, July 2003, vol. XXXIII No. 6, pp. 76-85. | |
| Edward Leffingwell. “Lynn Davis at Edwynn Houk.” Art in America, September 2003, pp. 124-5. | |
| “Lynn Davis, un monument americain.” Le Figaro, 5 September 2003, pp. 22. | |
| “Komm, Otto! Ich mach dich noch schnell fein fur die oper.” Bild, 25 September 2003, pp. 5. | |
| “Points West.” Western Interiors and Design, Nov/Dec 2003, pp. 144. | |
| 2002 | Abitareverona Magazine, No. 3, 2002. |
| “Along the Silk Route.” Portfolio: China, Shambala Sun, September 2002, pp. 51-7. | |
| Denis Curti. “Reportage dal Mondo dei Sogni.” Vivi Milano, Belle Arti, September 2002, pp. 53. | |
| Linee di Ghiaccio. Tempo Libero, September 2002. | |
| John Kane. “Gehlek Rinpoche Likes It That Way.” Shambala Sun, July 2002, pp. 45-50. | |
| Elizabeth Kolbert. “Ice Memory.” New Yorker, January 2002, pp. 30-7. | |
| Les Line. “One Picture.” Audubon, March-April 2002, pp. 124. | |
| Francesca Memeo. “Dal Sudan alla Groenlandia a Caccia di Architetture Naturale.” La Stampa, September 2002, pp. 9. | |
| The Mood Journal, November 2002, pp. 178. | |
| Silvia dell Orso. “Tutto Milano.” La Republica, September 2002, pp. 79. | |
| Amy Rule. ed. Original Sources Art & Archives at The Center for Creative Photography. Arizona: The Center for Creative Photography, Univ. of Arizona, 2002. | |
| Laura Taccani. “City Milano.” Arnet, September 2002, pp. 20. | |
| Visions from America, Photographs from the Whitney Museum of American Art 1940-2001. Prestel Books, 2002, pp. 167. | |
| Zoom International, November/December 2002, vol. 53 pp. 28-31. | |
| 2001 | L’Arena. 1 April 2001. |
| L’Arena. 23 April 2001. | |
| Ice. New York: Edwynn Houk Gallery, 2001. | |
| In Response to Place. Washington D.C.: The Nature Conservancy | |
“Local Heroes Changing America: Indivisible.” Center for Documentary Studies, Duke University & Center for Creative Photography,The Univ. of Arizona, New York & London: W.W. Norton & Co, 2001. |
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| The Inward Eye: Transcendence in Contemporary Art. Houston: Contemporary Arts Museum, 2001. | |
| Alistar Macleod. “The Crossing.” Shambala Sun, January 2001, pp. 61-7. | |
| 2000 | Lynn Davis. New York: Edwynn Houk Gallery, 2000. |
| “Northern Exposure.” Travel & Leisure, Interview with Lynn Davis, July 2000, pp. 132-7, 156. | |
| Angle of Repose: Four American Photographers in Egypt: Linda Connor, Lynn Davis, Tom Van Eynde, Richard Misrach. Chicago, IL: LaSalle Bank N.A., 2000. (Ill. throughout) | |
| 1999 | Monument. Santa Fe, NM: Arena Editions, 1999. (monograph) |
| Henry Louis Gates, Jr. Wonders of the African World. New York: Knopf, 1999. (Ill. throughout) | |
| 1998 | Body Icons. Athens, Greece: Photographic Center of Skopelos, pp. 32. |
| “Moments of Grace: Spirit in the American Landscape.” Aperture, New York, 1998, pp. 3. | |
| James Hamilton-Peterson and Trudy Wilner Stack. Sea Change : The Seascape in Contemporary Photography. Tucson, AZ : Center for Creative Photography, pp. 25. | |
| Water Proof. Lisbon, Portugal: Centro Cultural de Belém, 1998. | |
| 1997 | William Ewing. Inside Information: Imaging the Human Body. London: Thames and Hudson, 1997. |
| “On Location.” Aperture, New York: Aperture Foundation, Inc., January 1997. | |
| I Canti Durevoli. La Città, Italy: Verona Studio, February 1997. | |
| 1996 | “Time.” Grand Street, New York: Grand Street Press, December 1996, No. 59, pp. 122-131. |
| Patti Smith. La Mer de Corail. France: Éditions Tristram, for the French translation; New York & London: W. W. Norton & Co., 1996, pp. 54-55. | |
| “Shambala Sun, November 1996, pp. 48-53. | |
| Henry Mendelssohn Buhl. Collection In Context. New York: The Buhl Foundation, Inc., 1996, plate no. 9. | |
| Alain D'Hooghe. Les Trois Grandes Egyptiennes. Paris: Marval, 1996, pp. 155. | |
| “Prospect 96.” Frankfurter Kunstverein. Zurich: Edition Stemmle, pp. 88-91. | |
| 1995 | Shambala Sun. text by Rudy Wurlitzer, November 1995, pp. 34-9. |
| Scanning New York Art, video, April 1995, Vol 1, Issue 3. | |
| Keith Davis. An American Century of Photography: The Hallmark Photographic Collection. Kansas City: Hallmark Cards, pp. 347. | |
| 1994 | Peter Weiermair, ed. Bodywork. Zurich: Edition Stemmle AG, 1994. (monograph) |
| William A. Ewing. The Body. London: Thames and Hudson Ltd., 1994, pp. 46 and 54. | |
| Rudolph Wurlitzer. Hard Travel to Sacred Places. Boston & London: Shambala, cover image, 1994. | |
| Blindspot. New York: Blind Spot Photography, Inc., 1994. | |
| 1992 | Peter C. Jones. The Changing Face of America. New York: Prentice Hall Press, 1992, pp. 59. |
| 1991 | Kim Caputo. Pictures of Peace. New York: Alfred Knopf, 1991. |
| Rudy Wurlitzer. Conjunctions. New York: Annandale-on-Hudson, 1991, Vol. 17, pp. 319-328. | |
| 1990 | The Indomitable Spirit. New York: Photographers and Friends United Against AIDS, 1990, plate 5 of editioned portfolio. |
| Lynn Davis Photographien. Frankfurt: Frankfurter Kunstverein, 1990. | |
| Vollbild, The Full Blown Picture. Berlin: Neue Gesselschaft fur Bildende Kunst, 1990, pp. 38-39. | |
| Das Portrait in der Zeitgenossichen Photographie. Schaffhausen: Edition Stemmle, 1989, pp. 92-97. | |
| Scanning New York Art, video, April 1995, Vol 1, Issue 3. | |
| 1989 | Keith Davis. An American Century of Photography: The Hallmark Photographic Collection. Kansas City: Hallmark Cards, pp. 347. |
| 1988 | Gary Indiana. Scar Tissue. New York: Calamus Books, 1988, back jacket cover. |
| Walker: A True Story of the First American Invasion of Nicaragua. New York: Harper and Row, 1988, Insert pages, unnumbered. | |
| 1987 | William Ewing, ed. The Fugitive Gesture, Masterpieces of Dance Photography. London: Thames and Hudson, 1987, pp. 31, 131, 185. |
| Women See Men. Frankfurt: Frankfurter Kunstverein, 1987, pp. 80-85. | |
| Art Against AIDS. New York: American Foundation against AIDS, 1987, pp. 123. | |
| 1986 | Anne Livet and Steven Reichard, eds. Art Against AIDS. New York: American Foundation for AIDS Research, 1986. |
| 1985 | Gerard Malanga, ed. Scopophilia: The Love of Looking. New York: Alfred Vandermark Editions, 1985, pp. 22-25. |
| 1982 | Thomas H. Flaherty, ed. The Nude. New York: Time/Life Books Photography Year, 1982, pp. 33. |
| 1981 | New American Nude. Catalogue, 1981. |
| 1980 | Marcuse Pfeiffer. Laurence Barns, ed. The Male Nude in Photography. Vermont: Vermont Crossroads Press, 1980, pp. 39. |
| 1969 | San Francisco Camera. 1969, pp. 5-7. San Francisco Art Institute Centennial Exhibition, Catalogue, 1969. |
| BOOK COVERS | |
| 2003 | Francois Bizot, The Gate, New York: Knopf, 2003. |
| Scott Spencer. A Ship Made of Paper, New York: Harper Collins Publishing, 2003. | |
| 2002 | Eliot Glassheim, ed. Behind the Scenes. North Dakota: North Dakota Museum of Art, 2002. |
| 2001 | Tete.-Michel Kpomassi. An African in Greenland. New York: The New York Review of Books, 2001. |
| Marcel Kurpershoek. Wie luidt de doodsklok over de Arabieren?. Trans. Who Rings the Death Bell over the Arabs? Amsterdam: Meulenhoff, 2001. | |
| Martha Sherrill. The Buddha from Brooklyn. New York: Vintage Books, 2001. | |
| 1996 | William H. Gass. Finding a Form. New York: Knopf, 1996. |
| James McMichael. The World at Large, New and Selected Poems, 1971 – 1996. Chicago: The University of Chicago Press, 1996. |